PAINT THIS WITH JERRY YARNELL®

#3001 Nature’s Fury, Unleashed, Part 1
Acrylic painting, 15x30 Horizontal. In this opening segment, Jerry explains to his viewers the different types of canvases for blending large skyscapes. Then explains the composition and discusses the reference material he will be using. Now he explains which brushes are more effective for blending these types of clouds. Next he shows the color mixtures he will be using. Then finishes by underpainting the horizon colors, the upper-sky colors, and minor cloud formations.

#3002 Nature’s Fury, Unleashed, Part 2
In this segment, Jerry shows how to begin the first phase of blocking in the large mass of clouds. He begins by explaining the use of different bristle brushes, which sizes, which part of the brush to use, and how much pressure to use. Then shows which mixtures work best for this phase. Now he begins painting in the larger masses showing how to build the different layers of cloud formations and create various values of colors.

#3003 Nature’s Fury, Unleashed, Part 3
In episode 3, Jerry begins the process of adding additional cloud formations as well as re-working existing formations to create very interesting pockets of negative space. Now he begins adding the first phases of sunlight and silver linings to define the location of the light source. He finishes by showing how to bring up the horizon color to make a stronger glow.

#3004 Nature’s Fury, Unleashed, Part 4
In this final episode, Jerry shows his viewers how to begin adding the layers of light to form the larger masses of clouds and to finalize all the shapes of each overlapping cloud formation. He now shows how to dry brush in the sunrays and finalizes highlights on the edges of the clouds. He then finishes up by painting in the silhouette of trees in the lower right corner to help balance the composition and create depth.

#3005 Long-Legged Fisherman, Part 1
Acrylic Painting on12x24 stretched canvas. In this opening segment, Jerry discusses the history of the milky stork and the color scheme. He then discusses the arrangement of the composition and placement of the birds. Then he shows how to use the hake brush to paint in the background using very long vertical strokes. He explains how to properly blend the tones to create a soft blended effect. He finishes by switching to the #10 bristle brush and shows how to mottle the foreground muddy area.

#3006 Long-Legged Fisherman, Part 2
In the session, Jerry shows his viewers how to continue painting in the foreground details of the muddy areas using a variety of brushes and a toothbrush. Then he shows how to underpaint the small stork in the background. Then he shows how to paint in the clumps of grass and taller weeds and twigs. He then finishes by painting in the small highlights along the muddy shoreline.

#3007 Long-Legged Fisherman, Part 3
In this episode Jerry takes his viewers through the process of how to block in the larger birds. First by underpainting the main body masses with a deep charcoal gray. Then underpaints the black areas underneath the base of the wings. Now he blocks in the beaks with a deep burnt orange tone. He finishes by underpainting the legs with the deep black mixture.

#3008 Long-Legged Fisherman, Part 4
In the final episode, Jerry shows his viewers how to begin the process of building layers of soft lighter gray tones to start layering the feather patterns. Gradually increasing the amount of white until reaching the bright white light for highlighting the upper structure of the bodies. He shows how to detail and brighten the beaks, legs, eyes, and miscellaneous feathers.

#3009 Beyond the Wall, Part 1
Acrylic painting on 18x24 stretched canvas. In this opening segment, Jerry discusses the type of canvas and underpainting tint. He then discusses the reference material and how to create a composite composition using photos, sketches, and memory. Now he shows how to paint in the sky and first layers of distant hills to create depth. Then he discusses the value system and finishes by painting in the middle ground, hills, meadows, and buildings.

#3010 Beyond the Wall, Part 2
In this episode, Jerry finishes painting in all areas behind the wall. Then he shows how to underpaint the road with the proper value changes. Now he sketches the outer shape of the wall and arch. Next he shows how to begin underpainting the large areas of the stucco wall. Then he paints in the dimensional shadow of the large and small arches.

#3011 Beyond the Wall, Part 3
In this third segment, Jerry continues painting in the road by adding the ruts, small pebbles, and gravel effect by using a toothbrush. Then he adds the bushes and miscellaneous details on the back side of the arch. Now he begins phase one of applying the texture of the stucco. The he underpaints the stone wall on the left side of the road and finishes by painting in the stone wall at the bottom of the wall.

#3012 Beyond the Wall, Part 4
In this episode, Jerry shows his viewers how to begin detailing the wall and add the stones and other miscellaneous highlights. Then he begins adding the green vines hanging over the edge of the wall. Then he begins adding all foliage in the stone planter and around the edge of the wall.

#3013 Beyond the Wall, Part 5
In the final episode of this series, Jerry takes his viewers through the final process of detailing and highlighting. First adding the flowers on the vines hanging over the wall, the flowers in the stone flowerbed on the left side of the road, and the large yellow flowers in the flower pot. He points out that the flower color is a personal choice and whatever color you choose, begin with a darker version -- then add white to that color for highlighting. He finishes by adding final highlights to the wall road and other areas.